Week12
Like a Rolling Stone
Tempo up to 90 bpm
Primary focus: Am pentatonic scale, Cycle of Fourths on A string for note recognition and Like a Rolling Stone (Bob Dylan / Mike Bloomfield)
Practice with discipline, but without friction, maintaining a calm and steady approach. Take each step deliberately to enter the flow state where progress unfolds. Though progress is not the goal, it arises as a consequence of unintended outcomes. This is the ultimate state of mind, the one that brings true contentment.
Day 1 – Note Recognition & Am Pentatonic
Warm-up (5 min): Spider walk, slow muted strums with metronome.
Note Recognition (10 min)
C major pentatonic = C D E G A
A minor pentatonic = A C D E G
(same notes, different tonal centre → relative scales).
In 5th–8th fret region:
- Use pinky when visualizing/playing C major pentatonic.
- Use index when visualizing/playing A minor pentatonic.
A Minor Pentatonic (roots = A)
e|--5(A)-----8---------|
B|--5--------8---------|
G|--5------7-----------|
D|--5------7(A)--------|
A|--5------7-----------|
E|--5(A)-----8---------|
C Major Pentatonic (roots = C)
e|--5---------8(C)-----|
B|--5---------8--------|
G|--5(C)---7-----------|
D|--5------------------|
A|--5------7-----------|
E|--5---------8(C)-----|
- Cycle of Fourths on A string (60 → 80 bpm).
- Review E string at 60 bpm.
Scales (10 min)
C major pentatonic (pinky anchor).
Am pentatonic in same position (index anchor).
Recognize overlap → say notes aloud.
Frisell prompt: Space and Silence — play 2–3 notes, then pause for 2 beats.
Song (20 min): Like a Rolling Stone intro (C → Fmaj7/C). Play slowly with metronome at 50 bpm.
Rotating Songs (5 min): Blues shuffle in A and Hava Nagila.
Cooldown (5 min) - Soft open C chord, let sustain.
Day 2 – A Section
Warm-up (5 min): Spider walk across neck.
Note Recognition (10 min)
Cycle of Fourths on A string (up to 90 bpm).
Quick E string cycle (60 bpm).
Circle of Fourths — Low E string (starting from C, quarter notes)
E|--8--1--6--11--4--9--2--7--0--5--10--3--8--
C F Bb Eb Ab Db F# B E A D G C
Circle of Fourths — A string (starting from C, quarter notes)
A|--3--8--1--6---11--4--9---2--7--0--5--10--3--
C F Bb Eb Ab Db F# B E A D G C
Scales (10 min) -
One-octave Cmaj ↔︎ Am pentatonic, alternating.
One note per click at 50 bpm.
Frisell prompt: Broken Chords — outline small fragments (C–E–G or A–C–E), let notes ring.
Song (20 min): A Section chords: C–Dm–Em–F–G. Play with backing track, slow tempo.
Rotating Songs (5 min): Happy Birthday and Hava Nagila.
Cooldown (5 min): Open G chord, soft strum.
Day 3 – B Section
Warm-up (5 min): Spider walk + smooth position shifts.
Note Recognition (10 min)
Cycle of Fourths on A string → aim for 90 bpm.
E string quick review.
Scales (10 min)
Am pentatonic, 2 octaves, index anchor.
Add slides into upper register.
Frisell prompt: Double-Stops, add simple dyads (e.g., 5th fret G + B, 7th fret D + G).
Song (20 min): Focus on B Section chords. Build slowly → play with backing track.
Rotating Songs (5 min): Amazing Grace and Hava Nagila.
Cooldown (5 min): Low C note (8th fret, E string).
Day 4 – Linking Intro + A Section
Warm-up (5 min): Spider walk + finger stretches (1–3–5).
Note Recognition (10 min): Cycle of Fourths on A string, steady 80–90 bpm.
Scales (10 min)
Shift mid-phrase: Cmaj → Am pentatonic.
Focus on awareness of “pinky vs index” anchor.
Frisell prompt: Wide Intervals — skip strings while ascending, create open sound.
Song (20 min): Intro + A Section together. Backing track at 60 bpm, increase gradually.
Rotating Songs (5 min): Hava Nagila.
Cooldown (5 min): Arpeggiate C chord slowly.
Day 5 – Song Skeleton (Intro + A + B)
Warm-up (5 min): Spider walk + muted strums.
Note Recognition (10 min): Cycle of Fourths: alternate A + E strings.
Scales (10 min)
Am pentatonic phrasing: 2–3 note ideas with pauses.
Frisell prompt: Dynamic Swells — play single notes quietly, then swell volume.
Song (20 min): Play Intro → A Section → B Section. Very slow tempo with backing track.
Rotating Songs (5 min): Hava Nagila.
Cooldown (5 min): Open F chord, let ring.
Day 6 – Endings
Warm-up (5 min): Spider walk + neck slides.
Note Recognition (10 min): Cycle of Fourths, A string, up to 90 bpm.
Scales (10 min)
Call-and-response: Cmaj pentatonic phrase → Am pentatonic phrase.
Frisell prompt: Slides and Ghost Notes — slide between scale tones, add muted plucks.
Song (20 min): Work on Ending 1 + Ending 2 separately. Loop A + B section into endings.
Rotating Songs (5 min): Hava Nagila.
Cooldown (5 min): G chord drone.
Day 7 – Integration + Simulated Performance
Pre-Performance Ritual (5 min)
Grounding breath (inhale 4, hold 2, exhale 6).
Open string meditation (C note).
Mental cue: “This is practice, not performance.”
Warm-up (5 min): Spider + chord strums.
Note Recognition (10 min): A + E string cycles, steady 80–100 bpm.
Scales (10 min)
Play Cmaj → Am pentatonic in 2 positions.
Free improv for 2–3 minutes.
Frisell prompt: Drone + Melody or Less is More — hold low C/A drone, or restrict to 3 notes only.
Song (20 min)
Record performance.
Full play through: Intro + A + B + Ending 1 + Ending 2.
First with slow backing track → normal tempo.
Then play with original recording.
Rotating Songs (5 min): Hava Nagila.
Cooldown (5 min)
Drone on C + G.
Journal 1–2 lines:
“One sound I enjoyed today was…”
“Next week I’ll explore more of…”
Recorded Performance
Fender Jaguar
Pickup Position: Neck
Master Volume: 9
Master Tone: 5
Zoom G3Xn
Preset: OFF
Joyo Tremolo
Intensity: 25%
Rate: 25%
Fender Blues Jr. III
Volume: 4.0
Fat: OFF
Treble: 5.0
Bass: 7.0
Middle: 5.0
Master: 3.0
Reverb: 3.0
Blue Yeti
Gain: 10 o’clock
Mode: Cardioid mode, 18” from speaker, slightly off-axis